June 19, 2024

00:05:59

Nailed Even Deeper [sampler]

Nailed Even Deeper [sampler]
Nailed
Nailed Even Deeper [sampler]

Jun 19 2024 | 00:05:59

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Episode Transcript

[00:00:11] Speaker A: Hey, pigs. Ever notice how there are too many ads in podcasts these days? You can't listen to a 45 minutes show without being interrupted by a commercial for Taco Bell 20 times. Now they have AI inserting the ads automatically. AI, the nerve. Well, the nailed program stays ad free through the generosity of its patrons. Find people like you who [email protected] and keep this podcast afloat. You don't need a lot of God money either. For as little as $5 a month, you can have access to twice the amount of podcast content. Listening to bonus episodes is a great way to spend the time between seasons while the nailed team prepares year zero and beyond. Turns out preparing this shit takes a lot of fucking work. In the meantime, nailed even deeper goes beyond the halos. So check it the fuck out. Plus, if you sign up, you can get early access to maybe I'm all mashed up, a mash up album full of stuff from the show. It's out now. You can hear me do the upward twist. [00:01:29] Speaker B: Also, you can join our totally rad discord. It's fucking lit in there if you don't sign [email protected]. nailedpod. And listen to nailed even deeper. You'll miss stuff like this. [00:01:41] Speaker C: Fahrenheit. Fair enough. Fahrenheit, question mark. He should have done billboards where he's dressed as a lawyer in a tie and it says fahrenheit, question mark. Fair enough. Period. Call Eustace and Cooper. That's the other guy's name, right? Yes, Charles Cooper, attorneys at law. [00:02:06] Speaker D: That would have been their Coachella billboard. [00:02:10] Speaker C: Yeah, that'd be great. Were you. Were you injured by out of control stutter beats? You may be entitled to compensation. Call Eustace and Cooper today. [00:02:25] Speaker D: I just feel like there's so much out there. There's so much music, and I feel like. I just feel like these younger artists are absorbing all of it and want to interpret it their own way or interpolated in their music or pay homage or tribute to these artists. And I don't think they're thinking of it as stealing at all or even. [00:02:45] Speaker C: If it's like it's a melody or a chord progression that's living in your head. Everyone who's ever written music knows this phenomenon. It will come out as you're writing subconsciously, and maybe you never realize it. Maybe you look back a while later and they're like, oh, I kind of took that from someone. But there are only, there's a finite number of chord progressions now that everyone has a band, and everyone is putting. [00:03:14] Speaker D: Songs on the Internet, and everyone can just record stuff at home on their computer. [00:03:17] Speaker C: And that's 8 billion humans who are now rock stars. Every chord progression has been taken, every melody has been taken. And the combinations of the two, we're getting close to all of them being used. Um, so it's hard not to do something that doesn't sound like something, especially when working in the pop realm. [00:03:39] Speaker D: And as I've said a zillion times, no one lives in a vacuum. So to pretend that you have not heard these things and are not inspired by them, I think. [00:03:50] Speaker C: Yep. [00:03:51] Speaker D: Yeah. Anyway, it'll come out. [00:03:55] Speaker C: There's no cheap kinks, now that I think about it. [00:03:57] Speaker D: Like, well, leather's pretty expensive. [00:03:59] Speaker C: Yeah, they will all kill your wallet. [00:04:01] Speaker D: But not as much as having an arrow trim. That's quite an investment. [00:04:06] Speaker E: Band saw goes for 30 grand. [00:04:10] Speaker C: Yeah, you do need a lot of space. [00:04:12] Speaker D: You would definitely need a big, industrial, dirty, dingy looking warehouse where a person is leading you while your head is covered. [00:04:20] Speaker C: A person. You put some respect on her name. I don't know her name. I don't know her name, but I like her style. The lady who is controlling the gyroscope. I'm sorry, aerotrim that Trent is shackled in, restrained in. [00:04:39] Speaker D: We could say if you look at modern aero trims, though, I mean, a lot of times they're just used as, like, carnival fun. And they have, like, two seats, so, like, you can get two people and buckle them in and spin them around. Anyway, I was having a lot of fun looking up. [00:04:52] Speaker C: That would just make me really sick to my stomach, I think. [00:04:55] Speaker D: So it's one of those, like, at what point? [00:04:58] Speaker E: Like, it's so impractical kink wise. Because I get seasick. [00:05:03] Speaker C: Yeah. [00:05:04] Speaker E: It's like argument one's having to be like, I don't know, honey. Like, can we get one? Well, you don't really do. [00:05:10] Speaker D: I mean, you could just have cheaper kinks by going to the local fair and getting on the tilt world. If you just like to be dizzy. [00:05:15] Speaker E: Exactly. [00:05:17] Speaker C: Do crooners sing about anything other than the moon? [00:05:20] Speaker D: Sure. [00:05:21] Speaker C: When the moon hits your eye. That one. [00:05:24] Speaker D: Um, okay, there's that one. Uh. [00:05:26] Speaker C: Fly me to the moon. [00:05:27] Speaker D: Dammit. Please. [00:05:28] Speaker C: They're obsessed with the fucking moon. They are.

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